Building on work we started in my own 2009 Classical article that is quarterly”An Aristophanic Slave: comfort 819-1126″). The slave characters of the latest and Roman comedy have actually very long been the main topic of effective scholarly interest; slave characters in Old Comedy, by comparison, have obtained fairly small attention (the only substantial research being Stefanis 1980). Yet a better appearance in the ancestors for the subsequent, more familiar comic slaves offers brand new views on Greek attitudes toward intercourse and social status, also just exactly what latin brides at brightbrides.net an Athenian audience expected from and enjoyed in Old Comedy. More over, my arguments about how to read a few passages involving slave characters, if accepted, could have bigger implications for the interpretation of specific performs.
The chapter that is first the stage for the conversation of “sexually presumptive” slave characters by dealing with the concept of intimate relations between slaves and free feamales in Greek literature generally speaking and Old Comedy in specific. We first examine the various (non-comic) remedies of the theme in Greek historiography, then its exploitation for comic impact when you look at the 5th mimiamb of Herodas as well as in Machon’s Chreiai. Finally, I argue that funny recommendations to intimate relations between slaves and free ladies in the extant comedies blur the line between free and servant to be able to keep a far more rigid difference between relatively rich Athenian resident men and a lowered class comprising slaves, metics, foreigners, while the poorest Athenian residents.